15,417 Royalty-Free Audio Tracks for "Bwv 871 – Prelude And Fugue No. 2 In C Minor From The Well Tempered Clavier Ii"

Erika was a German marching song which is used by the German military. The author of the song was Herms Niel in 1930s. This song was published during Nazi Germany and ww2this recording include MIDI Erika, auch bekannt unter seinem Liedanfang Auf der Heide blüht ein kleines Blümelein, ist der Titel eines bekannten deutschen Marschliedes von Herms Niel, das in den 1930er-Jahren entstand. In dem Lied wird „die naturverbundene Liebe zur Heimat besungen“.

The traditional country song "John Henry", performed by Johnny Horton during an appearance at the KWKH Louisiana Hayride

Bach's "Crucifixus", B Minor Mass ground bass.

*Superminor third on C = D♯-. 17:14 = 336.13 cents. Limit: 17-limit.

34-tet scale on C (35.29 cent steps). MIDI pitch bend matches intervals.

20-tet scale on C. MIDI pitch bend matches intervals.

18-tet scale on C. MIDI pitch bend matches intervals.

22-tet scale on C (54.55 cent steps). MIDI pitch bend matches intervals.

8-tone equal tempered scale, composed of three-quarter tones. MIDI pitch bend matches intervals.

41-tet scale on C (29.27 cent steps). MIDI pitch bend matches intervals.

Aeolian mode on C. No pitch bend.

31-tet scale on C (38.71 cent steps). MIDI pitch bend matches intervals.

72-tet scale on C (16.67 cent steps). MIDI pitch bend matches intervals.

24-tet scale on C (50 cent steps). Easley Blackwood, Jr.'s notation for 24 equal temperament. As only "ups" are used, there are no three-quarter flats and quarter flats are enharmonically spelled (Dd = C#↑). Pitches are split into two groups of 12. MIDI pitch bend is correct for intervals.

The Japanese Sandman (1920), by Paul Whiteman and His Ambassador Orchestra

Song from The Remains of Tom Lehrer

A song from The Remains of Tom Lehrer

Cello concerto no. 1 in a minor, op. 33 - i. allegro non troppo

Frédéric Chopin's Nocturne in B-flat minor, Op. 9, No. 1, 1832

Ort: Stensele [Sjulsson], Tärna [Tellström] (socken) / Tärna

Ort: Tuorpon (sameby) / Jokkmokk (socken)

*2 steps in 7-et on C. Equal-tempered: 22:7:1 = 342.86 cents. MIDI pitch bend: 91,77

Triad in Bohlen-Pierce tuning (0 7 10). Title refers to number of semitones (unison=0).

Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.

Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.

Piano Sonata No. 8 third movement (Rondo: Allegro) 17 KB, 4:25 minutes.

Symphony No. 4 in A major 'Italian', Op. 90 - III. Con moto moderato. IV Symfonia A-dur op. 90 Feliksa Mendelssohna, powszechnie nazywana Włoską, część III Con moto moderato w wykonaniu Skidmore College Orchestra.

Jesse James is a 19th century American folk song. This version was recorded by typewriter salesman Bentley Ball in 1919. It is considered to be the first recording of the Western Music genre.

A tune made using Faust Music Creator for the Adlib sound card and recorded digitally from the YM3812 chip.

Robert Schumann: Kreisleriana, Op. 16, No. 1, "Äußerst bewegt"

E natural minor scale ascending and descending.

E harmonic minor scale ascending and descending.

B natural minor scale ascending and descending.

E melodic minor scale ascending and descending.

B melodic minor scale ascending and descending.

Ausschnitte aus Schuberts Klaviersonate DV 784

B harmonic minor scale ascending and descending.

Hymn The day thou gavest, Lord, is ended Der Tag, mein Gott, ist nun vergangen (Evang. Gesangbuch 266); Du lässt den Tag, o Gott, nun enden (Gotteslob (2013) 96)

Dominant minor ninth chord on C: C,E,G,Bb,Db. Created by Hyacinth (talk) 23:07, 14 December 2011 (UTC) using Sibelius 5.

This is a whole tone scale beginning on middle-C, created by me using Lilypond and TiMidity.

Neapolitan minor scale on C - as MIDI

Prelude in B minor (J. S. Bach, arranged by Siloti), an arrangement of Bach's Prelude in E minor BWV 855a

A piano-and-vocal recording of the Internationale in the Lithuanian language, performer(s) unknown.

An old PLA stereo recording of the Internationale in Mandarin, Xiao San's version used as the anthem of the Chinese SSR from 1931-1937.

Second Suite in F for Military Band I. "March: Morris dance, Swansea Town, Claudy Banks" performed by the 553rd United States Air National Guard Band of the Northeast. Track 2 from Golden Anniversary (1992). Major Patrick M. Jones, commander and conductor.[1][2]

Second Suite in F for Military Band "III. Song of the Blacksmith" performed by the 553rd United States Air National Guard Band of the Northeast. Track 4 from Golden Anniversary (1992). Major Patrick M. Jones, commander and conductor.[1][2]

A sequencing of Scott Joplin's Searchlight Rag. Original work is in the public domain.

Second Suite in F for Military Band IV. "Fantasia on the Dargason" performed by the 553rd United States Air National Guard Band of the Northeast. Track 5 from Golden Anniversary (1992). Major Patrick M. Jones, commander and conductor.[1][2]

Second Suite in F for Military Band "II. Song Without Words, I'll Love My Love" performed by the 553rd United States Air National Guard Band of the Northeast. Track 3 from Golden Anniversary (1992). Major Patrick M. Jones, commander and conductor.[1][2]